Tom Jones once took a risk that reshaped his entire career. In 1988, he unleashed a version of “Kiss” that was so audacious, so brimming with confidence, it became an instant classic. This wasn’t just a cover; it was a reclamation of a song written by the enigmatic Prince, transformed into something entirely new. The track, released on the album The Lead and How to Swing It, didn’t just introduce Jones to a new generation; it proved that reinvention is an art form in itself. With a voice that could shake walls and a swagger that felt effortless, Jones took a minimalist funk masterpiece and turned it into a full-blown spectacle.
The story behind this bold move begins with an album that dared to defy expectations. The Lead and How to Swing It was a sharp departure from Jones’ earlier ballad-heavy work. Teaming up with producers like Trevor Horn and Full Force, he dove headfirst into a world of electronic grooves and soulful energy. The album reflected a man willing to evolve without losing his signature charm. Within this collection of tracks, “Kiss” stands out as the centerpiece—a statement that Jones could take even the most modern sounds and make them his own. It wasn’t just a homage to Prince; it was a declaration of artistic freedom.
What makes this rendition so unforgettable isn’t just the vocal power but the instrumental wizardry behind it. While Prince’s original was sparse and understated, Jones’ version is a vibrant explosion of sound. The rhythm section drives the track with a steady, danceable pulse, while the electric guitar adds a funky backbone that keeps things lively. A brass section punctuates the verses with bold accents, creating a dramatic flair that matches Jones’ dynamic delivery. Layers of keyboards and synthesizers soften the edges, while occasional piano flourishes add a touch of elegance. Together, these elements create a sonic landscape that feels both grounded and expansive. The backing vocals weave in harmoniously, rounding out the sound with a richness that complements Jones’ deep baritone.
This cover works because it doesn’t try to copy Prince’s subtlety. Instead, it amplifies the cheeky flirtatiousness of the original into a larger-than-life experience. Jones’ interpretation is theatrical, playful, and unapologetically bold. It invites listeners into a world where funk meets soul, and where a song about chemistry and desire becomes a celebration of pure joy. By leaning into this approach, Jones made the track accessible to a wider audience, transforming a piece of avant-garde artistry into a crowd-pleasing anthem.
The legacy of this song is a testament to Jones’ enduring relevance. “Kiss” became a hit across multiple countries and remains a highlight of his live shows. For fans who grew up on hits like “Green, Green Grass of Home,” this foray into funk and soul might have seemed surprising, but it showcased a versatility that defined his long career. It’s a reminder that great music doesn’t have to be bound by genre or expectation.
For those who want to continue this funky journey, there are tracks that capture a similar spirit. Prince’s own “1999” offers the same danceable energy, while Right Said Fred’s “I’m Too Sexy” brings a playful groove. Robert Palmer’s “Addicted to Love” combines powerful vocals with a slick rhythm, and David Bowie’s “Let’s Dance” blends funk and pop with effortless style. For a deeper dive into Jones’ catalog, “She’s a Lady” showcases his signature charisma.
Tom Jones’ version of “Kiss” is more than a song; it’s a masterclass in reinvention. From the electrifying guitars to the vibrant brass, every element works in harmony to create an unforgettable listening experience. Whether you’re a lifelong fan or a newcomer, let yourself be swept away by the magic of this track. Press play and feel the energy unfold.
You don’t have to be beautiful
To turn me on
I just need your body, baby
From dusk till dawn
You don’t need experience
To turn me out
You just leave it all up to me
I’ll show you what it’s all about