
The Following Year Alone She Spent More Than 260 Days On The Road
Terri Clark moved from Canada to Nashville at 18 and started singing for tips at Tootsieβs and she could see the country music business around her but it took nearly eight years before any label let her through the door
Nashville did not discover her quickly and it tested whether she would stay
Terri Clark left Medicine Hat Alberta for Nashville as a teenager with little more than a guitar and a very clear idea of what she wanted
Soon after arriving she walked into Tootsieβs Orchid Lounge the famous honky tonk across the alley from the Ryman Auditorium and asked if she could sing and landed work performing for tips and it was her first professional Nashville gig
The location made the situation almost cruelly appropriate because Tootsieβs sat in the middle of country music mythology close enough to the Ryman and Music Row to make Nashville success feel physically nearby
Clark later remembered playing those clubs hoping that somebody from the industry might hear her voice drifting out and offer her a record deal and nobody did
For years she kept singing while taking whatever work helped pay the bills and she waited tables and worked as a secretary and painted houses and worked retail and tended bar
One contemporary profile put the wait at roughly eight years between her arrival in Nashville and the record deal she had come there to find and there were days when even Tootsieβs barely paid
Clark has recalled taking a city bus downtown with her guitar to work the daytime shift and occasionally walking out with only a few dollars in tips because almost nobody had come through the bar
The Years Were Doing Something A Demo Tape Could Not
Still the years were doing something a demo tape could not and she was learning how to hold a room
A producer who heard Clark at Tootsieβs eventually passed a tape to manager Woody Bowles and she continued developing for several more years and in 1994 Mercury Nashville finally signed her
Then the pace changed almost immediately and her debut single Better Things to Do arrived in 1995 and climbed to No. 3 on the U.S. country chart
When Boy Meets Girl and If I Were You followed into the Top 10 while her self titled debut album eventually went platinum and Clark had written or co written almost the entire record herself
Once they finally did the problem was no longer finding somewhere to sing and it was finding enough days in the year to play all the places that suddenly wanted her
That number says more about the turnaround than almost anything else because for most of her twenties Terri Clark had been working Nashville bars while waiting for somebody in the industry to notice
And by the time the industry finally opened the door she had already learned how to sing like someone who had earned every inch of the stage
